Our hound, a rescue of unknown genetic origins,
Delineated clearly his two existences:
That of domestic pet, comforter
Of angst-ridden adolescents,
Creature of decadence, sprawled
Over pillow-topped mattresses,
Receiver of morsels of food
That never quite made it to
The mouths of his human roommates.
Out-of-doors, he became attuned
To his aboriginal identity,
Pulled by olfactory impulses,
Low-toned howls replaced by
High-pitched yips, indicating
An agile rodent on the other end of
A faint scent, but a powerful reminder
Of his true reason for being,
His own brass ring.
At our doorstep, he usually returned
Empty-mouthed to a more mundane
Vie Quotidien. Panting, leaving
Paw prints of perspiration
On the hardwood kitchen floor,
From a polished, stainless steel bowl
With his dextrous tongue,
Eyes no longer dilated from the excitement
Of an elusive rabbit that escaped
His surprisingly lithe gait and
Presumed powerful jaws,
Now rendered vestigial again
At the gentle hand of a child
Offering the crusts of a
Peanut butter sandwich.
Yet today, as he approaches
His second decade of life,
He stands on the back porch,
An architectural symbol of his segue,
His threshold of two parallel identities.
A rabbit, matted fur soaked, trails
Blood from his no longer twitching,
Useless pink nose.
The hound’s foreleg trembles.
His eyes, solid discs of dark brown,
Hold our own amazed gawks.
Brown and clown-like, rise and fall
As he contemplates
The garden, the hearth of the kitchen,
His prize still warm
On his saliva-soaked tongue.
It’s as if, given the power
Of a shared spoken language,
He’d desperately ask: “Where,
On God’s green earth,
Do I possibly go
A dog chases a plump rabbit in this detail from Initial E: A Priest Celebrating Mass, an illumination in a Spanish law code. Courtesy of The Getty Museum, Los Angeles, California.